In the 20th century, Indian cinema, along with the Hollywood and Chinese film industries, became a global enterprise. As of 2013, in terms of annual film output, India ranks first, followed by Nollywood,Hollywood and China. In 2012, India produced 1,602 feature films. Indian film industry reached overall revenues of $1.86 billion (INR 93 billion) in 2011. This is projected to rise to $3 billion (INR 150 billion) in 2016. Enhanced technology paved the way for upgrading from established cinematic norms of delivering product, altering the manner in which content reached the target audience. Visual effects based, super hero science fiction, and epic films like Enthiran, Baahubali, Krrish emerged as blockbusters. Indian cinema found markets in over 90 countries where films from India are screened.
A film score (also sometimes called background score, background music, film music or incidental music) is original music written specifically to accompany a film. The score forms part of the film's soundtrack, which also usually includes dialogue and sound effects, and comprises a number of orchestral, instrumental, or choral pieces called cues, which are timed to begin and end at specific points during the film in order to enhance the dramatic narrative and the emotional impact of the scene in question. Scores are written by one or more composers, under the guidance of, or in collaboration with, the film's director or producer and are then usually performed by an ensemble of musicians– most often comprising an orchestra or band, instrumental soloists, and choir or vocalists– and recorded by a sound engineer.
Film scores encompass an enormous variety of styles of music, depending on the nature of the films they accompany. The majority of scores are orchestral works rooted in Western classical music, but many scores are also influenced by jazz, rock, pop, blues, new-age and ambient music, and a wide range of ethnic and world music styles. Since the 1950s, a growing number of scores have also included electronic elements as part of the score, and many scores written today feature a hybrid of orchestral and electronic instruments.
Like Isham’s previous album, Vapor Drawings (1983), the material on this is deeply atmospheric and emphasizes the use of synthesizers often blended with acoustic instruments. Of the three films represented, Isham is only credited with performing trumpet on track two, "The Times of Harvey Milk".
”Mrs. Soffel” – 13:59
”The Times of Harvey Milk” – 8:32
”Never Cry Wolf” – 24:48
Mark Isham – synthesizers, penny whistle (track 1), piano (track 1), trumpet (track 2), production
Mark Alder – string arrangements and conducting (tracks 1 and 3), additional production (track 3)
Dear comrade is the first film of Deverakonda to have a wide release across the SouthIndian languages ...Despite its meaningful story and great music, the film turned out to be an average grosser at the box office ... Before Liger, the 5 films that made him a superstarAlia Bhatt, Ajay ...
“When I look back at the music he made for my films, I think it was extraordinary,” says Benegal. Bhatia, a leading Indian composer of western music, who also composed for Indian cinema and television, died of age-related health complications in Mumbai on Friday.
Although steeped in Western classical music, Bhatia was only too willing to dip into Indian folk and traditional melodies to underscore a film’s narrative ... ‘Tumhare bina jee naa lage ghar mein’, the lilting, laidback number from Bhumika, rendered by Preeti Sagar, poignantly evokes the sepia-tinged black-and-white era in which the film is set.
Read full article. 5 May 2021, 10.21 am183;2-min read. Since the country has been dealing with a dire time with the second wave of Covid-19, the Indian film and music industry has also been moving at a very slow pace ...AskArjun about the response, and he says, “We launched the song on April 26 and it has been received very well ... Image source ... News18 ... .
Sitar maestro Ravi Shankar, who scored music for four of Ray’s films, said Ray’s mastery over music has no parallel in the world of film direction. From the trilogy of Teen Kanya (Three Girls), filmed in 1961, Ray started scoring music for his own films ... Ravi Shankar profusely praised Ray’s music in Piku, a film Ray made for FrenchTelevision.
Produced by Vivek Gomber, The Disciple follows Sharad who has dedicated his life to master Indian classical music ...Variety’s Jay Weissberg noted, “For all its specificity, grounded in Khayal music, the film’s universality lies in the way it conveys the inner struggles of a ...
He composed music in all his films fusing Indian (both North Indian and South Indian) classical, western classical and folk music from many parts of India, culminating in some distinctive Ray signature tunes; in a few early films he used renowned classical musicians like Ravi Shankar, Ali Akbar and Vilayat Khan as music directors.
Here are five films/series you can watch on platforms like Netflix, Amazon Prime and Hoichoi ...Darshan's film has got a great response from the audience ... The film is an action entertainer ... Chaitanya Tamhane is known for his film, Court. The Disciple is about a young man's pursuit of Indian classical music and his complete surrender to his guru.
‘A stirring cinematic tribute to Indian classical music’ ... I didn’t even have a working knowledge of Indian classical music ... I like the film because someone like me, who has very little to do with Indian classical music, got sucked in by the storytelling and the tools that he’s used as a film-maker.
“The film faced a lot of rejections on a script level with reactions like ‘it’s too specific,’ ‘it’s not universal,’ ‘Indian classical music, what will people understand?’ and ‘It’s got no drama.’ So everything that you are saying now, that it has connected with people, we really did not know.