Indian

Indian or Indians may refer to:

People

South Asia

The Americas

Cinema of India

The cinema of India consists of films produced across India, which includes the cinematic cultures of Uttar Pradesh, Bihar, Haryana, Andhra Pradesh and Telangana, Assam, Gujarat, Jammu and Kashmir, Jharkhand, Karnataka, Kerala, Maharashtra, Manipur, Odisha, Punjab, Rajasthan, Tamil Nadu, West Bengal, and Bollywood among others. Indian films came to be followed throughout Southern Asia, the Greater Middle East, Southeast Asia, and the former Soviet Union. Cinema as a medium gained popularity in the country and as many as 1,600 films in various languages of India were produced annually.Dadasaheb Phalke is known as the father of Indian cinema. The Dadasaheb Phalke Award, for lifetime contribution to cinema, was instituted in his honour, by the Government of India in 1969, and is the most prestigious and coveted award in Indian cinema.

In the 20th century, Indian cinema, along with the Hollywood and Chinese film industries, became a global enterprise. As of 2013, in terms of annual film output, India ranks first, followed by Nollywood,Hollywood and China. In 2012, India produced 1,602 feature films. Indian film industry reached overall revenues of $1.86 billion (INR 93 billion) in 2011. This is projected to rise to $3 billion (INR 150 billion) in 2016. Enhanced technology paved the way for upgrading from established cinematic norms of delivering product, altering the manner in which content reached the target audience. Visual effects based, super hero science fiction, and epic films like Enthiran, Baahubali, Krrish emerged as blockbusters. Indian cinema found markets in over 90 countries where films from India are screened.

Film score

A film score (also sometimes called background score, background music, film music or incidental music) is original music written specifically to accompany a film. The score forms part of the film's soundtrack, which also usually includes dialogue and sound effects, and comprises a number of orchestral, instrumental, or choral pieces called cues, which are timed to begin and end at specific points during the film in order to enhance the dramatic narrative and the emotional impact of the scene in question. Scores are written by one or more composers, under the guidance of, or in collaboration with, the film's director or producer and are then usually performed by an ensemble of musicians – most often comprising an orchestra or band, instrumental soloists, and choir or vocalists – and recorded by a sound engineer.

Film scores encompass an enormous variety of styles of music, depending on the nature of the films they accompany. The majority of scores are orchestral works rooted in Western classical music, but many scores are also influenced by jazz, rock, pop, blues, new-age and ambient music, and a wide range of ethnic and world music styles. Since the 1950s, a growing number of scores have also included electronic elements as part of the score, and many scores written today feature a hybrid of orchestral and electronic instruments.

Film Music (album)

Film Music (1985) is an album originally released on vinyl by the American trumpeter and synthesizer player, Mark Isham.

It consists of extended tracks from the soundtracks of three films. The first track is from the soundtrack of the film Mrs. Soffel (1984). The second track is from the documentary The Times of Harvey Milk. This film won the 1984 Academy Award for best documentary. The material of the third track is from the Carroll Ballard film, Never Cry Wolf (1983).

Like Isham’s previous album, Vapor Drawings (1983), the material on this is deeply atmospheric and emphasizes the use of synthesizers often blended with acoustic instruments. Of the three films represented, Isham is only credited with performing trumpet on track two, "The Times of Harvey Milk".

Track listing

Personnel